Features up to 40 different filter types, including analog-modeled low-pass, high-pass, band-pass, comb filters, and vocal-simulating formant filters.
Allows independent control over glide, velocity, and note length per step.
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Features 4 virtual oscillators per voice, capable of utilizing over 40,000 different waveforms.
In simple terms, most synthesizers generate a static waveform (saw, square, sine) and then filter it. Gladiator, via HCM, allows you to morph between 48 different harmonic spectra in real-time. Imagine having 48 oscillators that can blend into each other as you play—that is the power of Gladiator. This results in sounds that are alive, moving, and harmonically rich without requiring complex automation lanes.
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Gladiator V2.2 was often described as the "Swiss Army Knife" of synthesis. It wasn't limited to just one type of sound. Its architecture featured: