: The original Indonesian cut (often found with the original audio) includes approximately 10 seconds of extra violence missing from some international versions, such as more explicit close-ups and longer takes of brutal kills.
The cadence of the Indonesian language matches the frantic, explosive rhythm of the choreography.
One of the biggest issues with dubbed films is the lack of emotional alignment between the actor’s voice and their body language. In The Raid , the performances are intense and physical. The Indonesian dialogue, particularly from Iko Uwais (Rama) and Yayan Ruhian (Mad Dog), is delivered with a grit that perfectly matches their martial arts prowess.
The Raid: Redemption is not just a visual experience; the sound design—from the crunch of bones to the sharp crack of gunfire—is critical. Furthermore, the original Indonesian score by Fajar Yuskemal and Aria Prayogi is a masterclass in action scoring, featuring muscular electronics and heavy percussion that perfectly complements the frantic pace.
The audio track features a mix of Indonesian and international music, which perfectly captures the film's Jakarta setting. The sound effects, such as the thud of punches and kicks, are realistic and visceral, making the viewer feel like they're part of the action. The audio track has been praised by audiophiles and film enthusiasts alike, with many considering it one of the best audio tracks in recent memory.
The English dub, by comparison, is often described as "completely laughable" and a major distraction. The voice actors are not always professional, and the performances can feel stilted, robbing the intense drama of its raw edge. Even the director seems to implicitly agree. The film is an Indonesian story told by Indonesian people, and to strip that away by dubbing it into English removes the specific cultural texture that makes the film special. Director Gareth Evans, who picked up the Indonesian language himself to work with his cast, always intended the performances to be viewed as they were filmed. When you hear Iko Uwais or Joe Taslim speak their own lines, you are connecting directly with the artists on screen, not a third-party impersonator.
Ensure the audio is set to Indonesian (Original) .
Features a gritty, dread-inducing blend of traditional motifs, dark ambient textures, and structural electronic beats. It builds a sense of horror and survival.
: While many enjoy Shinoda's high-energy score, purists often prefer the original industrial tones for their harsher, more grounded feel. Where to Find the Original Audio
