Parker’s performance is widely cited on IMDb user forums as one of the most compelling acting displays in adult film history, elevating the material above its explicit constraints. The Creative Vision: Stephen Sayadian’s Aesthetic
Taboo was so profitable (budgeted at roughly $50,000, it grossed millions on the 35mm circuit) that it spawned Taboo II (1982), Taboo III (1984), and eventually Taboo 4 , 5, and 6. However, IMDb purists argue that only the original has artistic merit.
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"Taboo" (1980) remains a fascinating and flawed exploration of desire, societal norms, and the human condition. While it may not have been widely acclaimed upon its initial release, the film's bold storytelling, atmospheric settings, and memorable performances have cemented its place as a cult classic. As a product of its time, "Taboo" reflects the societal attitudes and cinematic conventions of the era, providing a unique glimpse into the past.
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: LeMay plays Paul’s girlfriend, providing a conventional outlet for his sexuality before the incestuous relationship with his mother begins.
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As of the latest data aggregation, Taboo 1 (1980) holds a rating hovering between , based on several thousand user votes. For context, this is high for adult cinema. By comparison, mainstream blockbusters average a 7.0, while the average hardcore feature from 1980 rarely breaks 5.0.
It was shot with a 1.85:1 aspect ratio and mono sound, typical of independent productions of the era.
These sequels, directed by Kirdy Stevens and others, continued to explore taboo themes like incest, with later entries including titles like "Taboo IV: The Younger Generation" and "Taboo V: The Secret". The original, however, remains the gold standard, cherished for its dramatic narrative and sexual tension.
The film follows Barbara Scott (played by Kay Parker ), a sexually frustrated woman left by her husband. The narrative tension arises from her internal conflict as she rejects the advances of various men while developing an obsessive, boundary-breaking interest in her son, Paul.