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The number of annual theatrical documentary releases has tripled since 2000 .

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This aesthetic grammar functions as a truth-claim: This is not a press release; this is life. But it is a carefully staged life. The filmmaker’s presence is often acknowledged or erased strategically to manage the subject’s performance.

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Lost in La Mancha (2002) details director Terry Gilliam’s doomed first attempt to film The Man Who Killed Don Quixote . 2. Investigative Exposés and Institutional Reckonings