إذا كنت ترغب في تجربة مشاهدة سينمائية ممتعة، يمكنك الاعتماد على الخيارات التالية:
إذا كنت تبحث عن مواصفات الفيلم للتأكد من النسخة الصحيحة، فإليك البيانات الرسمية المتوفرة عبر منصات مثل IMDb وموقع Rotten Tomatoes : العنصر التفاصيل الرسمية المخرج برتراند بلير (Bertrand Blier) طاقم التمثيل
June 24, 2009 admin 1 comment. “If we don't know where to go, why not stop awhile?” Synopsis: A pair of petty criminals (Gerard De... FilmFanatic.org Going Places (1974) - - The Constant Bleeder
لماذا يُعد الفيلم ظاهرة سينمائية حتى اليوم؟ fylm going places 1974 mtrjm llrbyt kaml fasl alany
More than a moment in her ( Isabelle Huppert ) acting, it is the birth of a genre in its own right, it could be called the Huppert... Isabelle Huppert Gérard Jugnot
Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere) are crooks. They're not experts, but they're competent enough to make... Rotten Tomatoes Jeanne Moreau
“This is fylm,” he said. “The movie of going places without arriving. The translation that never ends. The fourth chapter of a book with no beginning.” “The movie of going places without arriving
In 1974, French cinema unleashed a film that would become legendary for its scandalous humor, raw energy, and unapologetic nihilism: , released in English as Going Places . Directed by Bertrand Blier, the film starred two of France’s most iconic actors — Gérard Depardieu and Patrick Dewaere — as two vagrant, amoral young men wandering the French countryside, stealing cars, seducing (and assaulting) women, and living entirely outside social norms.
If you have the video file, you can use DownSub to find and download Arabic subtitle files (.srt).
The film follows and Pierrot (Patrick Dewaere) , two aimless, sociopathic drifters who roam the French countryside. Their journey is a spree of petty crime, car theft, and sexual assault, committed with a casual, anarchic glee. They live entirely in the moment, guided by nothing but their impulses. Upon its release in 1974
Going Places is highly recognized for launching into international stardom. Upon its release in 1974, it shocked audiences with its explicit themes, raw dialogue, and disregard for traditional morals.
The trio roams the countryside, stealing vehicles—including several Citroën DS
