(2023/24): A highly-rated family drama screened internationally, including at Reading Cinemas in Australia. Gautama Buddha Matha
If you're interested in exploring more of Dilhani Ekanayake's work, you can try searching for her on:
Her filmography was a tapestry of Sri Lankan life. In 'Paba' , she played a rural mother who lost her son to war—a role that earned her a presidential award. In 'See Raja’ (The King of the Head), a popular comedy-drama, she shocked audiences by playing a snobbish, hilarious aunt with a gold tooth and a laugh that could curdle milk. That clip alone had over 800k shares on Facebook.
She bridges the gap between old-school cinematic glamour and modern artistic realism. Her enduring relevance in both classic film archives and trending internet videos cements her place as an irreplaceable jewel of Sri Lankan entertainment.
Dilhani Ekanayake made her big-screen debut in Yasapalitha Nanayakkara's 1989 film Dedunnen Paata Paata opposite Gamini Fonseka and Malani Fonseka. However, it was her performance in the 1990 commercial blockbuster Pemi Kekula that catapulted her to nationwide stardom.
Ekanayake transitioned gracefully into mature, pivotal roles in high-stakes thrillers and family dramas.
Ekanayake made a splashy cinematic debut in Yasapalitha Nanayakkara’s 1990 film Dedunnen Samanaliyak , instantly taking home the Sarasaviya Award for Best Up-and-Coming Actress. Her radiant screen presence made her the definitive leading lady of 1990s commercial Sinhala cinema.
(2000): A turning point in her career where she played a serious role as an abandoned Tamil girl, shifting her image from commercial to artistic cinema. Sudu Kalu Saha Alu (2005): Won the Sarasaviya Best Actress Award (2005): Earned her the Presidential Award for Best Actress. (2011): Won Best Actress at the Derana Film Awards Recent and Popular Films: Dharmayuddhaya
| | Details | | :--- | :--- | | Full Name | Dilhani Ashokamala Ekanayake | | Born | March 4, 1970 (some sources list January 20, 1973) | | Birthplace | Colombo, Sri Lanka | | Years Active | 1990–present | | Spouse | Priyankara Perera (singer and actor) | | Children | Dilmin Perera | | Known For | 'Sridevi of Sri Lanka'; trademark smile and dancing ability |
In the vibrant tapestry of Sri Lankan cinema and television, few names resonate with as much warmth, versatility, and consistent talent as . Over a career spanning more than two decades, Dilhani has transitioned seamlessly from the small screen to the silver screen, earning a special place in the hearts of millions. Known for her expressive eyes, natural dialogue delivery, and ability to portray both comedic lightness and profound emotional depth, she stands as one of the most respected actresses of her generation.
This pivot opened the door to several masterful artistic films:
The film's musical tracks established her signature on-screen charm. Commercial Success in the 90s
A special project showcasing a different facet of her talent.
(2023/24): A highly-rated family drama screened internationally, including at Reading Cinemas in Australia. Gautama Buddha Matha
If you're interested in exploring more of Dilhani Ekanayake's work, you can try searching for her on:
Her filmography was a tapestry of Sri Lankan life. In 'Paba' , she played a rural mother who lost her son to war—a role that earned her a presidential award. In 'See Raja’ (The King of the Head), a popular comedy-drama, she shocked audiences by playing a snobbish, hilarious aunt with a gold tooth and a laugh that could curdle milk. That clip alone had over 800k shares on Facebook.
She bridges the gap between old-school cinematic glamour and modern artistic realism. Her enduring relevance in both classic film archives and trending internet videos cements her place as an irreplaceable jewel of Sri Lankan entertainment. Dilhani Ekanayake Sex Videos
Dilhani Ekanayake made her big-screen debut in Yasapalitha Nanayakkara's 1989 film Dedunnen Paata Paata opposite Gamini Fonseka and Malani Fonseka. However, it was her performance in the 1990 commercial blockbuster Pemi Kekula that catapulted her to nationwide stardom.
Ekanayake transitioned gracefully into mature, pivotal roles in high-stakes thrillers and family dramas.
Ekanayake made a splashy cinematic debut in Yasapalitha Nanayakkara’s 1990 film Dedunnen Samanaliyak , instantly taking home the Sarasaviya Award for Best Up-and-Coming Actress. Her radiant screen presence made her the definitive leading lady of 1990s commercial Sinhala cinema. In 'See Raja’ (The King of the Head),
(2000): A turning point in her career where she played a serious role as an abandoned Tamil girl, shifting her image from commercial to artistic cinema. Sudu Kalu Saha Alu (2005): Won the Sarasaviya Best Actress Award (2005): Earned her the Presidential Award for Best Actress. (2011): Won Best Actress at the Derana Film Awards Recent and Popular Films: Dharmayuddhaya
| | Details | | :--- | :--- | | Full Name | Dilhani Ashokamala Ekanayake | | Born | March 4, 1970 (some sources list January 20, 1973) | | Birthplace | Colombo, Sri Lanka | | Years Active | 1990–present | | Spouse | Priyankara Perera (singer and actor) | | Children | Dilmin Perera | | Known For | 'Sridevi of Sri Lanka'; trademark smile and dancing ability |
In the vibrant tapestry of Sri Lankan cinema and television, few names resonate with as much warmth, versatility, and consistent talent as . Over a career spanning more than two decades, Dilhani has transitioned seamlessly from the small screen to the silver screen, earning a special place in the hearts of millions. Known for her expressive eyes, natural dialogue delivery, and ability to portray both comedic lightness and profound emotional depth, she stands as one of the most respected actresses of her generation. Her enduring relevance in both classic film archives
This pivot opened the door to several masterful artistic films:
The film's musical tracks established her signature on-screen charm. Commercial Success in the 90s
A special project showcasing a different facet of her talent.
It is quite different. The All Films 5 is not a replacement for All Films 4, it's just a new tool based on the new underlaying principles and featuring a range of updated and refined film looks. Among its distinctive features are:
– New film looks (best film stocks, new flavours)
– Fully profile-based design
– 4 different strengths for each look
– Dedicated styles for Nikon & Sony and Fujifilm cameras
Yes. As long as your camera model is supported by your version of Capture One.
Yes. But you'll need to manually set your Fujifilm RAW curve to "Film Standard" prior to applying a style. Otherwise the style will take no effect.
It works very well for jpegs. The product includes dedicated styles profiled for jpeg/tiff images.
This product delivers some of the most beautiful and sophisticated film looks out there. However it has its limitations too:
1. You can't apply All Films 5 styles to Capture One layers. Because the product is based on ICC profiles, and Capture One does not allow applying ICC profiles to layers.
2. Unlike the Lightroom version, this product won't smartly prevent your highlights from clipping. So you have to take care of your highlights yourself, ideally by getting things right in camera.
3. When working with Fujifilm RAW, you'll need to set your curve to Film Standard prior to applying these styles. Otherwise the styles may take no effect.
1. Adobe Lightroom and Capture One versions of our products are sold separately in order to sustain our work. The exact product features may vary between the Adobe and Capture One versions, please check the product pages for full details. Some minor variation in the visual output between the two may occur, that's due to fundamental differences between the Adobe and Phase One rendering engines.
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2. Film look generations are basically major revisions of our entire film library. Sometimes we have to rebuild our whole library of digital tools from the ground to address new technological opportunities or simply make it much better.